- 上一篇：汉语颜色词探究
- 下一篇：以《逃离》为例分析爱丽丝·门罗的叙事特点
摘要：中国古代“大”美思想在很早以前就开始演变和发展，经过了儒家，道家，孔子，孟子，庄子，老子等先秦学者的论述与变革。它本身的极大特殊性让中国古代“大”美思想和西方美学思想，它本身的命题与构成就有着极大的特殊性与不同性。在《左传》中，用了舞蹈和颂歌来证明了它的丰富性与历史性。在中国古代“大”美思想的发展过程中，儒家和道家对“大”思想的述评和结构也有着不同的观点和方法，儒学中的“大”是“唯天唯大”，“充实而有光辉之渭大”“其美始大”，而道家的“大”是“大道至美”“天地有大美”的大，二者有联系又趋于不同。儒家和道家在“大”美思想中在道德的方面区别也很大。儒学的“大”是仁的体现，从道德和个人修养的方面对人本身的自我修养进行了赞扬。道家的“大”就是“道”的体现，“天地有大美”，是对人生对自然的歌颂与称赞。两家对“大”的涵义也有着不同的解释，儒家的“大”美是天命论的体现，是道德神存在的一种理论色彩，而道家的“大”美是人意识的美的体现，是否定天命论的存在。所以二者在中国古代“大”美思想的内涵方面差别很大。中国古代“大”美思想与外国的“大”美思想差距与很大，中国古代的“大”美思想注重内涵和道德方面存在，而国外“大”美思想注重美的体积与分量，两者的定义和研究的方向差距也很大。中国现当代美学思想对“大”美思想进行了继承，在历史文学作品和园林艺术创造的方面来体现“大”美思想的内涵与其道德要求。但是中国古代“大”美思想对人性道德要求过高，让它又有着自己独特的局限性。道家的“大”美思想突破了儒家对道德方面的束缚，更加创造性的提出了美学理论，对中国美学和艺术有着很大的帮助。49960
毕业论文关键词：儒家；道家；大美
A review of the "great" thought of "big" in ancient China
Abstract: In ancient China, the thought of "big" began to change and develop in a long time. After the discussion and transformation of Confucian, Taoism, Meng Zi, Chuang-tzu, Confucius, Lao Tzu and other scholars in the pre Qin dynasty. The great particularity of itself makes the Chinese ancient "big" and the western aesthetic thought, and it has a very special and different proposition. In "Zuo Zhuan", with the dance and carols to prove its richness and history. In the process of the development of ancient Chinese "big" aesthetic thought, Confucianism and Taoism on the "big" ideas review and structure also has a different view points and methods, the Confucianism of "big" is "the only day only", "full and bright Da Wei" "the United States starting with large", and Taoist "big" is "avenue to the United States" and "heaven and earth have beauty", the two are linked and tend to be different. Confucianism and Taoism in the "big" in the United States in the moral distinction is also great. The Confucian "big" is the embodiment of benevolence, from the moral and personal accomplishment of the people themselves to be praised. Taoism's "big" is the "Tao", "heaven and earth have great beauty", is the praise and praise of the nature of life. Two meanings of "big" also has a different interpretation, the Confucian "big" beauty is embodiment of the theory of nature and destiny, is God's moral in the presence of a color theory, and Taoism's "big" beauty is human consciousness the embodiment of beauty, is fatalism. Therefore, the two aspects of the "big" American thought in ancient China are very different. In ancient China, "big" thinking of the United States and foreign beauty of the "big" the ideological gap and large, Chinese ancient "big" aesthetic thought focus on connotation and morality exist, and foreign "big" thinking of the United States focus on volume and weight of beauty, both the definition and research direction of the gap is very big also. Chinese modern and contemporary aesthetic thinking of the "big" and the United States inherited the thought, in the history of literary works and the creation of garden art to reflect the "big" the connotation of the United States and the moral requirements. But the "big" thought of Chinese ancient times is too high for human nature, so it has its own unique limitations. Taoism's "big" aesthetic thought breaks through the Confucian moral restraint, more creative put forward the theory of aesthetics, Chinese aesthetics and art has a great help.