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毕业论文关键词：改写理论，《西风颂》，意识形态，诗学
CONTENTS
Acknowledgments i
Abstract ii
摘要 iii
1 Introduction 1
2 Theoretical Framework of This Study…………………………………………………………...32.1 introduction to Lefevere’s Rewriting Theory 3
2.2 the significance of Rewriting Theory 4
2.3 Rewriting Theory and poetry translation 5
3 Comparative Analysis of Three Chinese Versions of Shelley’s Ode to the West Wind Depending on Rewriting Theory 6
3.1 Comparison of Form 6
3.1.1 the original form treated by Guo Moruo 6
3.1.2 the original form treated by Zha Liangzheng 7
3.1.3 the original form treated by Jiang Feng 7
3.2 Comparison of Rhyme Scheme and Rhythm 8
3.2.1 Guo’ s conduction of rhyme scheme and rhythm 8
3.2.2 Zha’ s conduction of rhyme scheme and rhythm 9
3.2.3 Jiang’ s conduction of rhyme scheme and rhythm 9
3.3 Comparison of Language and Diction 9
3.3.1 The feature of the language adopted by Guo Moruo 10
3.3.2 The feature of the language adopted by Zha Liangzheng 10
3.3.3 The feature of the language adopted by Jiang Feng 10
4 Rewriting Theory and Poetry Translation Depending on Three Chinese Versions……..…..12
4.1 Analysis of Ideology 12
4.1.1 definition of Ideology 12
4.1.2 Ideology’s influence on the translation 12
4.2 Analysis of Poetics 13
4.2.1 definition of Poetics 14
4.2.2 Poetics and its influences on the translation 14
5 Conclusion 17
Bibliography 18
1 Introduction
Percy Bysshe Shelley, one of the major English Romantic poets, is regarded by some critics as amongst the finest lyric poets in the English language. A radical in his poetry as well as his political and social views, Shelley did not achieve fame during his lifetime, but recognition for his poetry grew steadily following his death. Though Shelley’s poetry and prose output remained steady throughout his life, most publishers and journals declined to publish his work for fear of being arrested themselves for blasphemy or sedition. Shelley did not live to see success and influence, although these reach down to the present day not only in literature, but in major movements in social and political thought.
Shelly’s poetry has exerted significance upon the Chinese people. His heroics and fearless poets brought light and freedom to China. His great enthusiasm for freedom, revealed through his passionate utterances on the national liberation movement at the time to a great extent encouraged the Chinese intellectuals in the contemporary political situation. Shelley’s popularity and influence has continued to grow in contemporary poetry circles.
Of all Shelly’s poems, Ode to the West Wind, his masterpiece, is perhaps the best-known in China. The ode was written by Percy Bysshe Shelley in 1819 near Florence, Italy. It was published in 1820 by Charles and James Ollier in London as part of the collection Prometheus Unbound, A Lyrical Drama in Four Acts, With Other Poems. Some have interpreted the poem as the speaker lamenting his inability to directly help those in England owing to his being in Italy. At the same time, the poem expresses the hope that its words will inspire and influence those who read or hear it. Perhaps more than anything else, Shelley wanted his message of reform and revolution spread, and the wind becomes the trope for spreading the word of change through the poet-prophet figure. Some also believe that the poem is due to the loss of his son, William (to Mary Shelley) in 1819. His son Charles (to Harriet Shelley) died in 1826, after “Ode to the West Wind” was written and published. The ensuing pain influenced Shelley. The poem allegorizes the role of the poet as the voice of change and revolution. At the time of composing this poem, Shelley without doubt had the Peterloo Massacre of August 1819 in mind. His other poems written at the same time—”The Masque of Anarchy,” “Prometheus Unbound,” and “England in 1819”—take up these same problems of political change, revolution, and role of the poet.