苏北睢宁落子舞舞蹈形态与审美
毕业论文关键词：苏北，睢宁落子舞，形态，审美
Abstract: A folk dance jiangsu xuzhou HuiNing "move later dance", by the broad masses of universal love, there is a strong mass and sex life. At present mainly spread in xuzhou HuiNing, "on top of the dance" history, not just a word to be found hundreds of years, it may be several thousand years, maybe longer. In March 1957, the second national folk music and dance festival in the grand opening of the capital, Beijing, HuiNing dance dance for jiangsu delegation, the program is very pleased to attend the national festival. Until the end of 2006 by the provincial government approved the first intangible cultural heritage protection projects. This article through to analyze subei HuiNing move later dance dance form and the manifestation of the aesthetic, and combine the time period of political, economic, social and historical factors. Pay attention to dance form and environment of contact, but not weaken the dance moves itself for the feeling of life and refining to mining, make theory in this paper.
Key words: subei ,HuiNing dance move later , form , aesthetic
目录
1前言4
2苏北舞蹈的发展情况..4
3苏北舞蹈的形态特征5
3.1三道弯..5
3.2幅度大..5
3.3鼓点巧5
3.4武术妙..6
3.5道具奇..6
4苏北舞蹈的审美特色..6
4.1贴近生活和生产实践..6
4.2注重节奏和朴实无华7
4.3趣复杂和宣泄情感..7
4.4与时俱进和历史悠久7
5苏北舞蹈的保护与传承..8
5.1保护8
5.2传承8
结论..9
参考文献..10
致谢11
1 前言 江苏民间舞蹈层出不穷，其中苏南温婉雅致，苏中端庄大方以及苏北热情豪放。苏北睢宁“落子舞”，在睢宁民间舞蹈中最具代表性,享有很高的知名度和影响力。说到《落子舞》，《百戏竹枝词》一书中说“徐沛忮妇以竹鞭缀金钱，击之节歌”[2]，其诗曰：“窄裤青衫称细腰，蔚蓝手帕髻云飘，霸王鞭舞金钱落，恼乱徐州叠断桥”[5]。宋代作乞讨所唱，流于民间。儿时的“莲花落”求乞者，都迫于天灾人祸，含着眼泪诉说遭遇，以求施舍。“落子舞”的这种场面，描绘出劳动人民，在旧中国备受欺压，过着非人的生活场景。睢宁《落子舞》源于典型的战乱环境，民间自创散打武术逐渐演变成舞蹈雏形。从侧面反映出睢宁县人们的精神和生活的情趣。1957 年 3 月,全国第二届民族民间音乐和舞蹈艺术节在北京隆重开幕，睢宁落子舞舞蹈作为江苏代表团,荣幸的参加了全国性的节日。 本文将苏北舞蹈和政治、经济、社会和历史因素相结合，来分析产生各种各样的美学思想,挖掘舞蹈本身的审美时代潮流。分析更注重舞蹈的形态和环境的联系,而不是削弱舞蹈动作本身对生活的感悟和提炼。通过《落子舞》表演中的经典高难度动作“滚身单”、“双跳伞”、“飞檐倒立”、“打螃蟹”、“寒鸭戏水”、“骜子翻身”等，分析苏北舞蹈形态与审美的具体表现。