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摘要山水画作为中国画三大画科之一，在中国艺术中扮演着重要的角色。而山水画的成熟离不开皴法的发展，从空勾无皴到斧劈皴、披麻皴等各种皴法的诞生，才形成了今天山水画独具一格的面貌。其中清代郑绩提到各种皴法中以披麻皴为首，披麻皴由五代董源创立，是一种以线为主的皴法，其中线条与笔墨是披麻皴中重要的艺术特色，是具有独特的美的。本文将从以下几个部分对披麻皴作深入的研究：第一部分，对披麻皴的艺术特色作简要的概述；第二部分，着重讲解披麻皴的艺术特色，将从五代“写真”披麻皴、元代“书法性”披麻皴、明清披麻皴的继承与求变以及近现代黄宾虹披麻皴的改革，重点论述五代“写真”与元代“书法性”的披麻皴，从披麻皴的用笔用墨方面分析画家的经典作品，以及每个时期披麻皴的变化；第三部分，学习披麻皴对临摹和毕业创作的解读与启示。49374
毕业论文关键词：披麻皴；线条；笔墨；运用
Analyses and Pimacun artistic features
And to the understanding of the creation and revelation
Abstract
Landscape painting, as one of the three Chinese painting painting pision, plays an important role in the Chinese art. And landscape painting brush is one of the decisive factors for the mature, from empty hook not Cun to appeared Cun, wrap around the birth of all kinds of brush, such as hemp Cun formed today's landscape painting unique appearance. Including Zheng Ji mentioned in the qing dynasty, led by the beatles hemp Cun, in all sorts of brush, and Cun founded by five generations dong yuan, is a kind of experiment is given priority to with line, the line with pen and ink is important artistic features of hemp Cun, is a unique beauty. This article will from the following several parts make deep research on wearing hemp Cun: the first part, the artistic features of wearing hemp Cun brief overview; The second part, and emphasis on Cun artistic feature, from the five dynasties "photo" and Cun, "calligraphy" (hemp Cun yuan dynasty, Ming and qing dynasties and Cun inheritance and change, and modern huang and Cun reform, discusses the five dynasties "photo" and "calligraphy" of yuan dynasty and Cun, analysis from the aspects of wrap around the hemp Cun pen in ink painters of the classic, and every period and Cun change; The third part, the study and Cun reading in copy and graduation creation and revelation.
Key Words: Pimacun; Line; Pen and ink; using
目 录
摘要-1
Abstract-Ⅱ
目录Ⅲ
一、披麻皴的概述1
二、披麻皴的艺术特色1
（一） 五代披麻皴的 “求真”1
（二） 元代披麻皴 具有“书法性” -3
（三） 明清披麻皴的 继承与求变-4
（四） 近现代披麻皴的 创新5
三、“披麻皴”对创作的解读与启示- 5
（一）师古人临摹习作-5
（二）师造化创作启示-6
参考文献8
一 披麻皴的概述
“皴法”是历代画家“外师造化，中得心源”得出的绘画技法。其中，《梦幻居画学简明 论皴》中提到各种皴法以披麻皴为首，披麻皴是一种以线为主的皴法，因它的形状如麻，故称“披麻皴”，也可称为“麻皮皴”，适合表现江南土山平缓细密的纹理。披麻皴主要以线为主，故从形态上，又可分为长披麻皴和短披麻皴，董源善用短披麻皴、细腻且圆润，用来表现山石的质感和阴暗面；巨然继承并发展董源的短披麻皴，在画中主要运用长披麻皴，老优尔率真的线条用来塑造山石的造型、表现山石的主要结构。