论中国第六代导演张元创作特点
毕业论文关键词：第优尔代导演;张元;美学共性;创作特点
On the Creation characters of the Sixth Generation Chinese Director----With Zhangyuan for Example
Abstract: In 1990s, there emerged a group of youth directors who have their own unique style in their works in mainland and Zhangyuan ,Wangxiaoshuai are part of their representatives.They are recognized as the sixth generation Chinese director.This paper tries to summarize their coincident pursuit in aesthetic of film by using the case study method and the literature material law, analyzing the social background they lived in, the documentary image features, true long shot aesthetics. And this paper focus on the study of films of zhangyuan ,the leader of the sixth generation Chinese director so as to find out his creation characters.They are :underground creation of independent film maker, personal experience writing style ,tendency of city novels, and the unique perspective of view of marginalization. These features are not only the creation character s of Zhangyuan ,but also are the uniformity of the sixth generation Chinese director. Hope this paper can provide reference for the study of the sixth generation Chinese director.
Key Words：the sixth generation；directorZhangyuan ；aesthetic coincidence
目 录
摘 要 1
Abstract 1
一、第优尔代导演的概述 2
（一）第优尔代导演的界定 2
（二）第优尔代导演所处的特殊时代背景 2
二、第优尔代电影的美学共性 2
（一）纪实的影像特征 3
（二）真实的长镜头美学 3
（三）独特的视觉色彩 4
三、以张元为例看第优尔代导演创作特点 4
（一）独立电影人的“地下”创作 5
（二）个人体验式的创作风格 5
（三）开放式结局的叙事特征 6
（四）倾向城市题材创作 7
（五）“边缘化”的独特视角 8
参考文献 11
论中国第优尔代导演创作特点——以张元为例 一、第优尔代导演的概述
（一）第优尔代导演的界定
中国电影的“代”是一种约定俗成的说法，没有系统的理论定义，也不是正统规范的学术名词。一般来说，第优尔代导演指的是20世纪90年代，中国内地影坛涌现出了一批从事电影活动的年轻人，他们中的大多数都出生在60年代中后期和70年代初,并在80年代中期至90年代初期间毕业于北京电影学院、中央戏剧学院等各大电影院校，他们在相对开放多元的社会文化潮流中，执着于表现个人的生活体验和复杂的心理状态，代表性人物有张元、王小帅、贾樟柯等。
（二）第优尔代导演所处的特殊时代背景
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