摘要：乐舞《兰陵王入阵曲》起源于北齐时期，隋朝时被收集入宫，并列为宫廷乐舞名目，唐代时由僧人佛哲传到日本,便成为日本宫廷雅乐,在日本宫廷广为流传直至今日，与此同时的中国，在唐玄宗时期该乐舞在民间禁演，至宋时失传。1992年9月6日，日本奈良大学笠置侃一教授率领日本雅乐团带着《兰陵王入阵曲》回到中国，该舞从此又得以回归故里。本文从中国古代乐舞文化交流、隋唐时期的乐舞美学思想、《兰陵王入阵曲》形成及发展的历史背景和日本对于传统文化的保护等方面进行研究，并将研究成果分成概况背景、形式渊源、遗失复原和传承发展四个部分来总结，通过对乐舞《兰陵王入阵曲》的研究深入探讨中国舞蹈事业应如何发展。91141

毕业论文关键词：兰陵王,《兰陵王入阵曲》,传统舞蹈

Abstract： Originated in the Northern Qi Dynasty era of dance "front Lan Ling Wang into song" in the Sui Dynasty,was officially included in the names of the Tang Dynasty palace music and dance, by the monks spread to Japan, the Japanese court music in Japan has widespread until today,at the same time the Chinese, in the period of Tang Xuanzong Emperor the dance was banned and lost in Song dynasty。 September 6, 1992 Nara university professor Li Zhi Kan Yi led

his group to Cixian country of Handan city of Hebei Province and performing this dance before Lan Ling Wang tomb。 This article from the cultural exchanges about Chinese ancient music and dance, the aesthetic thought of music and dance in Sui and Tang Dynasties, the historical background formation of "front Lan Ling Wang into song" , the protection of the traditional culture in Japan and other aspects of research。 The research result will be pided into general background, origin, form and development four parts, and further through the study of music and dance "front Lan Ling Wang into song" the China dance career should decide on what path to follow。

Keywords: Lanling Wang, "frontlan Ling Wang into song", Traditional dance。

目 录

1。前言 3

2。乐舞《兰陵王入阵曲》的历史痕迹 4

2。1《兰陵王入阵曲》中主角兰陵王的基本资料 4

2。2《兰陵王入阵曲》乐舞的形成及发展流变 4

2。3 文献记载中的《兰陵王入阵曲》 5

3。《兰陵王入阵曲》的形式内容与渊源 5

3。1《兰陵王入阵曲》与面具舞蹈的关系 5

3。2《兰陵王入阵曲》与角抵百戏的关系 6

3。3《兰陵王入阵曲》与武舞的关系 6

4。《兰陵王入阵曲》的遗失与复原 6

4。1《兰陵王入阵曲》遗失的背景及原因 6

4。2《兰陵王入阵曲》复原的内容和意义 7

5。《兰陵王入阵曲》的传承与发展 7

5。1 复原的途径方法 7

5。2 如何传承发展 8

5。3 由雅乐复原产生的思考 8

6。 结论 10