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摘要通过研究不同历史背景下的女性形象和特征，人们可以加强对现代女性形象及其特点的认识。旅美作家严歌苓善于塑造出于弱势地位的女性形象。她以爱情，家庭以及人物关系为主线，创造出许多性格鲜明的女性形象，囊括在各个方面。小渔，多鹤，王葡萄这三个人物形象都表现出严歌苓笔下独特的女性形象，她们分别是移民妇女，战后妇女以及农村妇女的代表。她们虽然身处弱势，但却表现出强大的生命力。45849
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本文通过文本解读,分析严歌苓小说中的没有异化的本真的女性形象以及与此紧密联系的女性主义。通过分析不同的女性形象，寻找她们之间的相互联系，以此为基础，分析作者对于东西文化生存之道的认知和诠释，并且为理解严歌苓小说提供了一个新的视角。此外，研究严歌苓小说中女性形象特征也表明对女性地位的提高和对女性关注度的加强的迫切性。
[毕业论文关键词]：严歌苓;弱势;女性形象;女性主义
Abstract To research the female images in different historical times, people can experience different personalities of female and care more about female in modern society. Geling Yan, as one of the world-renowned Chinese-America writers, has created many kinds of female characters with different personalities. As a female writer, she pays more attention to love, family and human relations around the women, which can help people to understand women better. Her novels cover a various types of women, from kind rural women to wise urban women, from traditional women to immigrant women. However, these women are always trapped in the fishing net, are forced to accept their tragic fates, or fight to survive temporarily.
In this novel, these women images will be combined to explain feminism and Yan’s perspectives about eastern and western culture, which also provides a chance for readers to research Yan’s novels. Siaoyu, Duo He and Wang Putao respectively represent three different women images. These different female characters interpret an idea that women deserve the equal status with men and can get rid of the marginalized social identity in their own way.
[Key Words]： Yan Geling； disadvantage； feminism ；Female characters
Contents
摘要.. I
Abstract II
1. Introduction1
1.1 Female images and Feminism.1
2. Female images in Yan’s novels..2
2.1 Yan’s life and works2
2.2 Writing style3
2.3 Female images.3
2.3.1 The image of women in rural area3
2.3.2 The image of after-war women.7
2.3.3 The image of immigrant girl13
3. Conclusion..14
Bibliography..16
致 谢 ...17
ON THE FEMALE IMAGES OF GELING YAN’S NOVELS
1. Introduction
1.1 Female images and Feminism
Female images focus on research on women’s fate, liberty and awakening. Chinese women went through primitive clan in a strong image of the indomitable spirit, and with the emergence of private ownership and hierarchy, women stood in the oppressed political status, and became the inferior, weak, and smooth image with attachment and humiliation. Looking back into the developing history of literature, people can easily find how women’s social position plays an important part in it. There are few female representatives of the beginning of literature while men occupy all the poems, essays, and novels where they create women images in terms of their social needs, value and standard. As a result, the traditional literature shows a picture of women as a filial, tender, industrious and tolerant image. In the process of the history, female experience the social transition for many times and step by step are changed toward to independent, free, and emancipated ones. The improving technology and ideological emancipation enable women free from the economic dependence to men and seeking for self-realization when female writers rise as an emerging force. The representative female writers in China include Zhang Ailing, Xiao Hong and Bing Xin after the May Fourth Movement and Wang Anyi, Bi Shumin and Lin Bai, who create many typical characters like Li Shuangshuang, Jiang Jie and Qiu Jin.