Abstract Thomas Hardy, living between the late nineteenth century and early twentieth century, was an outstanding critical realism novelist。 Influenced by Darwin's evolution theory and Schopenhauer's pessimism, his literary creation was under a special mode。 He created a number of female images, such as Eustacia, Tess and Sue。 All women in his novels had much in common。 They were gentle and kind, filled with the fantastic expectations of life and hope, but they could never get the happy ending。 The most typical, successful female image of those was Tess。 72327

Tess of the D’Urbervilles told the story of a kind peasant women fighting against traditional ideology after the unfortunate seduction, and ultimately achieving her own will through killing Alec。 Through analyzing, the thesis proves that her negation and resistance to traditional morality reflected the sprout of her female consciousness。

Owing to the incomplete research of Tess’s ideology, this thesis will redefine Tess from her ideology of traditional and rebellious aspects in order to prove her sprout of female consciousness。 Then the thesis will arrive at the conclusion that Tess is a new woman in the bud in Victorian period。 The thesis intends to make people know more about Tess, enrich the researches for women in Hardy’s novels。 Furthermore, the research aims to raise peoples’ awareness of paying more attention to those women still in the plight。 The thesis will be pided into five parts: First, chapter one will involve the brief introduction of Thomas Hardy, the background information of Tess of the D’Urbervilles, research status at home and abroad and the introduction of feminism criticism。 Second, chapter two will analyze from the traditional ideology。 Third, chapter three will analyze from the awakening of Tess’s female subjective awareness to show her rebellious aspects。 Fourth, chapter four will prove that Tess was a new woman in the bud-- a woman with tradition and rebellion。 Last, the chapter five will depict the image of a new woman of Tess from the dualism of her ideology。 

Key words: Tess      tradition     rebellion     feminism criticism

摘要托马斯哈代是十九世纪末二十世纪初杰出的批判现实zhuyi小说家。由于受到达尔文的生物进化论、叔本华的悲观zhuyi等理论的影响，他有着其独特的文学创作模式，先后塑造了尤苔莎、苔丝以及苏多位女性的形象。他笔下的女性都有一些共性，她们温柔善良、善解人意，有着对生活的无限憧憬和希望，然而总是无法获得完美的结局。在这其中最为典型、塑造最成功的莫过于苔丝。

   《徳伯家的苔丝》讲述了一个善良、乐观的农家女子在不幸被诱奸之后反抗传统道德，并最终通过杀死痛苦的根源——亚雷来实现自己的意志。通过分析，本文认为在苔丝由对传统道德的怀疑到否定再到反抗的这个过程中，体现了她女性zhuyi意识的萌芽。

    由于国内外对苔丝的思想方面的研究尚不完善，本文将通过女权zhuyi批评对苔丝思想的双重性进行分析，重新解读，得出苔丝是一位兼有传统与叛逆的维多利亚时期的新女性这一结论，期望能够完善苔丝思想方面的研究,并帮助那些仍处在困境中的女性。论文分为五个部分：一、第一章介绍了作家哈代以及《德伯家的苔丝》的创作背景,包含了国内外学者对苔丝研究的现状及结果，另外还有对女性zhuyi批评理论的简介；二、第二章从传统伦理思想描绘苔丝传统的一方面；三、第三章从苔丝的女性主体意识觉醒描述苔丝反叛的一方面；四、第四章从苔丝传统思想和女性主体意识觉醒的矛盾来论证苔丝是一位萌芽中的新女性，一位兼具传统与反叛的女性。五、第五章将从苔丝思想方面的双重性总结苔丝的新女性形象。